About NOIRÉ

The maison

We make black
wrist watches.

That is the entire brief. Everything else is a degree of dark.

Introduction

A luxury house with one colour.

NOIRÉ is an international maison of black wrist watches, designed and regulated in Geneva, worn in sixty countries, shown in five private salons.

2008 Founded on the Rue du Rhône
61 Living catalog pieces
5 Salons worldwide
18 Watchmakers in the atelier
Our story

Our story

A rented room, a refusal of shine.

In 2008 two designers and one watchmaker rented a room above a jeweller on the Rue du Rhône. Luxury watches that year were bright: white dials, polished bezels, gold that performed. We sketched a single black watch and decided it was enough of a company.

The first fifty pieces sold to architects, editors, and a pilot who said he was tired of his cockpit reflecting on his wrist. We took that as a brief. Shadow, then Midnight, then the rest of the language followed.

We have never added a colour line. Clients still ask. The answer remains the same: we are not finished with black.

Philosophy

Ornament must earn the millimetre.

Night as material

Black is not a coating we apply at the end. It is the first decision in case, dial, hand, and strap. If a surface wants to shine, it must argue for it.

Proportion over fashion

We will not chase diameters. Classic pieces stay near 38mm. Sport earns 44mm only if the bezel and grip require it.

Service as design

A watch that cannot be opened in Geneva in twenty years is not a luxury object. We design for the watchmaker who is not yet hired.

Quiet commerce

No seasonal rainbow. No logo on Bauhaus Noir’s dial. The name lives on the caseback when the face should stay silent.

Watchmaking

Geneva, still.

Cases may be milled in the Jura. Leather may be cut in Tuscany. Carbon may be forged in a composite atelier. The movement is always regulated here. Five positions. A human eye on the lume. A handwritten note for the Geneva line.

Watchmaking

Design process

Sketch, steel, silence.

Every collection begins with a sentence, not a moodboard. “Light is the enemy.” “A racing soul in evening clothes.” “When they are gone, they are gone.” Designers then spend months removing things: dates, polished rehauts, applied logos, subdials that do not time anything.

Prototypes are worn by the atelier for ninety days. If a watch is noticed before it is admired, it goes back.

Materials

Named, not generic.

316L & DLC

Surgical steel, diamond-like carbon in vacuum. Matte that ages as shadow, not as chrome.

Grade-5 titanium

Aerospace alloy, bead-blasted twice for Shadow and Black Titanium.

Grand feu enamel

Fired seven times for Éclipse and Anniversary. Painters sign the reverse of the disc.

True obsidian

Thirty Reserve dials carry volcanic glass from different flows. No two share a pattern.

Precision & control

Quality is a room, not a slogan.

There is a quiet room at the back of the atelier where watches tick for seventy-two hours before they are boxed. If the rate drifts, the watch does not leave. Limited pieces are assembled by two watchmakers who initial the movement plate.

The craftsmanship journal

Timeline

Eighteen years of night.

2008

The rented room

First fifty black watches. No website. A list of names on paper.

2011

Noir Collection named

What had been “the black watch” becomes a language with references and a calibre number: 8801.

2014

Paris salon

First room outside Geneva. Clients begin arriving in evening clothes on purpose.

2017

Shadow & Sport

Titanium and 300-metre divers. The maison learns to be an instrument without becoming a costume.

2020

Royal Chronograph

Enamel subdials. A racing soul allowed into ceremony.

2024

Founder's Edition

Fifty pieces. Lifetime movement warranty. A key to a private salon.

2026

The living catalog

Sixty-one watches. Ten collections. Still no second colour.

Atelier voices

The people who keep it dark.

Étienne Noir

Founder, design

Still sketches with a 6B pencil. Still rejects polished rehauts.

Clara Voss

Head of movements

Responsible for 8801 modules and the eclipse disc that will not be repeated.

Kenji Arai

Salon director, Tokyo

Holds the Ginza appointments. Believes watches should be shown under one lamp.

Amelia Hart

Client atelier, London

Writes the allocation letters. Remembers every strap preference.

Watch imagery